Emilio Pucci in his studio designing one of his infamous prints
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Pucci for me conjures up images of woman who float into a room and all eyes turn to look at her. When you wear a vintage Pucci you feel that perhaps a little bit of that bygone jet set era might just rub off on you. A little chic bit of the girls who did the circuit and had perpetual tans and wore sandals that were hand made in Morocco, girls with wild, mile high, piled up hair who wore their Pucci's to formal dinners and somehow looked perfectly fine amongst the beaded and sequined "safe" girls. Pucci pieces move. They have a fluidity, an ease, a sense of rightness that only a vintage Pucci piece seems to have. There are numerous designers out there, both then and now, that do prints but it is always the classic, original pieces by Emilio Pucci himself that truly stand the test of time and are the beacon that all others are drawn to and that they attempt to surpass. And they don't.
Emilio Pucci in Acapulco surrounded by girls in his designs
I don't think most people realize just how long Pucci was around for and how long he had been designing for. When you think of Pucci you automatically think the late 60s and early 1970s. His designs seem to go hand in hand with that time period and indeed this was the absolute heyday of his aesthetic. But he actually started designing many years prior — in the late 1930s he designed the uniforms for the ski team he was a member of and in 1947 he designed a ski uniform for a friend that happened to be photoed by a photographer that worked for Harper's Bazaar. One thing led to another and that photographers editor asked Pucci to design some pieces of ski wear for a story that was published in the winter 1948. And voila — a designer was born. Don't you find that sort of funny? We tend to think of the great designers of the past as these mystical creatures who slaved away at couture houses and then just magically began one of their own. But is it really so different then the story of a young designer today? How many careers have been launched today because some eagle eyed editor promotes an unknown designer?
Emilio Pucci with two models wearing his designs
In 1949 he was using stretch fabrics to make swimwear and expanded from that to doing his own bold designs on scarves. It is said that Stanley Marcus of Neiman Marcus encouraged him to to make blouses as well and eventually dresses in what would become his signature fabric — that insanely fabulous, hard to wrinkle, silk jersey that is still used today. By the 1950s he was a full fledged powerhouse of a designer. Starlets wore his designs everywhere including Marilyn Monroe, Sophia Loren, Jackie O and Elizabeth Taylor. In 1959 he started the lingerie line in a joint venture with Form Fit Rogers. Do you think he ever would have imagines that one day girls like Nicole Richie and Rachel Zoe would wear pieces from that lingerie line in public? I think he would have clapped his hands in delight!
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Some of the Pucci designed Uniforms for Braniff including the infamous Bubble Helmut that kept the girls hair dry and free from wind
Pucci was a master of marketing and self promotion really — look at hm through modern eyes. He used his connections relentlessly to drive his brand ahead. He made sure his designs got onto the bodies of the most iconic women of the day. He listened to the retailers that told him what would sell and he expanded and drove his brand into new directions — lingerie, swimwear, even household items all carried the infamous Pucci print. One of his most interesting collaboration was with Braniff International Airways. He was contacted by their advertising agency and ended up designing seven complete outfits for the aircrew. They were such a hit and had such an impact on the mainstream public that by 1968, even Barbie had a wardrobe of four versions of the seven.